sábado, 10 de diciembre de 2011

Nils Petter Molvær

Molvaer's new album "Baboon Moon" marks the self-assured new start of a musician who has already travelled a long way. He began his career in the bands of Jon Christensen and Arild Andersen, but gradually broke out more and more beyond the confines of jazz, starting with his 1997 album "Khmer". His musical journey took him through a wide variety of styles, and he tried out different degrees of abstraction along the way. He experimented together with musicians like Bill Laswell, Sidsel Endresen and Eivind Aarset, and surrounded himself with DJ's and VJ's, but he also worked on his own. His language of expression remained vivid throughout. On his last album, "Hamada", he switched to and fro between very harmonious and extremely brutal passages, while on "Baboon Moon" these two opposite poles blend into a unified whole again.
Molvaer's new album "Baboon Moon" marks the self-assured new start of a musician who has already travelled a long way. He began his career in the bands of Jon Christensen and Arild Andersen, but gradually broke out more and more beyond the confines of jazz, starting with his 1997 album "Khmer". His musical journey took him through a wide variety of styles, and he tried out different degrees of abstraction along the way. He experimented together with musicians like Bill Laswell, Sidsel Endresen and Eivind Aarset, and surrounded himself with DJ's and VJ's, but he also worked on his own. His language of expression remained vivid throughout. On his last album, "Hamada", he switched to and fro between very harmonious and extremely brutal passages, while on "Baboon Moon" these two opposite poles blend into a unified whole again.In order to arrive at this point, he formed a new band. His two fellow players on "Baboon Moon" have come to jazz 'through the back door', as it were. Stian Westerhus is one of Europe's most innovative, and in the meantime most sought-after guitarists. A former member of the post-rock band Jaga Jazzist, he runs the industrial-improv duo Monolithic together with Motorpsycho drummer Kenneth Kapstad. For Westerhus, the electric guitar is not just an instrument: it's a whole orchestra, a creative museum of physical and spiritual possibilities for producing electronic sounds. He manipulates his instrument with every conceivable material and effect, and even produces indefinable sounds by shouting into the strings. Erland Dahlen has played his way into the hearts of alternative-rock fans as drummer of the Norwegian psychoblues band Madrugada. He contributed this deep and earthy but also progressive blues feeling to Eivind Aarset's Sonic Codex Orchestra first of all, and now he brings it to Molvaer's trio.From nilspettermolvaer.info

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